Showing posts with label Film Locations. Show all posts
Showing posts with label Film Locations. Show all posts

Thursday, January 5, 2017

Hongkong An Article (or two) for Portwatch Magazine History

Hongkong An Article (or two) for Portwatch Magazine History

For those interested, I penned a couple of short articles for a club magazine over the previous summer. Portwatch is the publication produced by the Aberdeen Marina Club in Sham Wan. I figured that with all the information I had on films made in and around the area it might make interesting reading. Sadly the word limit was a bit restrictive - the bilingual nature of the publication meant I only had half of what I would normally get. As a result the editor decided to split the article into two parts. I would have loved to go into more detail but there you have it.

There's no direct link available but you can go to the club's website (http://www.aberdeenmarinaclub.com/portwatch.php) and find the offending material on and either download it or view online:

Aberdeen on Screen Part 1: Jul/Aug 2016 issue pages 30-31
Aberdeen on Screen Part 2: Sep/Oct 2016 issue pages 28-29

Tuesday, September 29, 2015

Hongkong Tak Seng On Casa De Penhores, Macau History

A couple of months ago I posted about the imminent demolition of the Tung Tak Pawn Shop - one of only four remaining curved Canton-style (i.e. with supporting front pillars) buildings left in Hong Kong. Sadly it looks as though that sad matter is being seen through to the end by its owner. So, rather than dwell on the negative in HK, let's head over to Macau (or Macao, if you prefer) and have a look at a nicely preserved example of Macanese pawnshoppery.

For those who don�t speak Portuguese (me included), Casa De Penhores is the Portuguese name for a pawnshop (lit: house of pledges). The Tak Seng On is one of the most famous pawnshops in Macau and sits on the Avenida de Almeida Ribeiro next to Senado Square.


Tak Seng On was first opened in 1917 by a Mr Kou Ho-ning, who established it along the lines of one of three types of allowed business: accepting pawned items for a period of up to two years for cash advances paid out at certain interest rates (in general not too high, but not too low either).

Tak Seng On was forced out of business in the 1980�s (mainly due to advances in banking sophistication and changes in the nature of the pawn business) but thanks to the foresightedness of the Macanese authorities (via the Cultural Institute), the building wasn�t ripped down and replaced by a generic glass office block (as would happen in Hong Kong) but was instead restored to its former glory and turned into a pawnshop museum in 2003.


Just to back-pedal a little bit to discuss the aforementioned two-year term of loan. This is how long the pawnshop would keep the pawned item before it exercised its ownership over the collateral. The shop needed vast amounts of space to hold these items and as a result had a large castle-like tower at the back, affording large amounts of well protected storage space. As you can see from the photo below, the tower like structure is reminiscent of the watchtowers that form part of the fortifications at many walled villages in the New Territories. The small narrow windows making it difficult to break into.


In case you are distracted by the beautiful building on the left, the pawnshop tower is centre photo and you can see the balconies of the pawnshop on the right.

When I originally posted this article, the nice chappy from the Hong Kong and Macau Rough Guide, David Leffman, got in touch and added his own little tidbit.
Tak Seng Lau museum has restored the interior to much as it was during the pawn shop days, with the counter inside for staring down at customers and a few cases of bits and pieces relating to the trade. The rear storehouse tower you mention seemed totally authentic and very secure, lots of old wooden flooring and scaffolding, barred doors and tiny windows. Other parts of the building have, if I remember correctly, been turned into trinket shops, with a library on the top floor for Jin Yong�s (Louis Cha) martial arts novels.
So there you have it, not only a pawnshop museum but also a Louis Cha library - two good reasons to head to the place if you are in the vicinity.

Actually, Tak Seng On isn't the only pawnshop building still standing. There is also the nearby (on the opposite side of the road) Cheung Tai Dai On Pawnshop. This one hasn't had the honour of being turned into a museum of any sort (not that I know of) but does that the obscure honour of briefly being glimpsed during the Shanghai-set chase scenes of Indiana Jones and the Temple of Doom that were filmed in Macau. Just as a reminder here is the pawnshop I am talking about. It has a very distinctive open arch at the front making it quite easy to recognise on the film (see bottom screen capture).

Cheung Tai Dai On Pawnshop
Indiana Jones and the Temple of Doom

Sunday, July 12, 2015

Hongkong Tao Fung Shan Christian Centre, Shatin History

I first found out about Tao Fung Shan from one of the monthly newsletters published by the RASHK (Royal Asiatic Society of Hong Kong) newsletters. Sadly, I can't remember the year or month but the article covered the various buildings in HK constructed in the style of what has become known as Chinese Renaissance. What this seems to mean is western structural architecture/construction techniques with a Chinese aesthetic such as ornate columns, archways or roof styles that are often found on local temples and the like. Hong Kong has some great examples in the form of King Yin Lei, the Aberdeen Seminary, the now demolished Ho Tung Gardens and several more. This style of architecture is quite rare now, certainly many buildings with these characteristics have gone a long time ago making the remaining ones that little bit more special.

In the case of many of these buildings the style was simply for show, but in the case of Tao Fung Shan it functioned as a way to attract local Chinese to the property, under the mistaken impression they were entering a temple or monastery, and then try to convert them to Christianity. It all sounds a bit nefarious but I suppose the Chinese style of building just made the place less intimidating to those who were curious about Christianity.


The Tao Fung Shan Christian Centre sits on top of a hill (Tao Fung Shan is actually the name of the hill) next to Shatin MTRC station. Despite its seemingly close proximity, the way up is a little more hard work involving either a cab which will have to drive via Tai Wai, or a fairly long (20 minutes) uphill walk through Pai Tau village. You can actually see the Centre's large hilltop white cross from several vantage places in Shatin because it pretty much overlooks the train station.

The cross can be seen from several parts of Shatin

Unlike other Chinese Renaissance structures, Tao Fung Shan isn�t just a single building but is rather a complex encompassing living quarters, prayer rooms, study rooms and administrative offices. It even used to have a rather well-known hostel that had to close due to lack of funds. It was established back in 1930 by a Norwegian missionary called Karl Ludvig Reichelt. He'd already established Christian missionary work in the mainland before moving to HK and settling on Shatin as the location for his next project. The complex was designed by a Danish architect called Johannes Prip-Moller.


Being in the wild hills of the New Territories it's not surprising to learn (and I was told this by Dr Patrick Hase, a noted local historian who was once the Shatin District Officer - so he should know, right?) that Tao Fung Shan is the location of the very last reported wild tiger sighting in Hong Kong. Sometime during 1951, Reichelt was supposedly tending to somethings one day and happened to look out of his window and saw a large tiger prowling around his vegetable patch. He went to tell someone, but when he returned to the window the tiger had disappeared. I also had this semi-confirmed by someone on Facebook who used to live here in the 1950's...semi-confirmed in that she had a vague recollection (she was a child at the time) but couldn't recall the details. But anyway, I shall leave it out there for anyone who is interested in that sort of thing.


Actually, since visiting this place back in 2009 - quite sometime now, I guess - I have since discovered it has been used a couple of times by film crews. Notably it stood in for Beijing in Pierce Brosnan's Noble House mini-series, and in the slightly more recent Dragon: The Bruce Lee Story it was used as a film studio. The latter is quite apt considering we know that Bruce Lee himself used to come up to Tao Fung Shan to collect fighting spiders (as told to Chaplin Chang and Robert Clouse by Robert Chan).

A wall frieze inside the complex

Both sides of the main entrance


It is open to visitors between 9 -5 and even has a gift shop selling an assortment of stuff. I�m a big fan of this type of architecture and so just gawping at the buildings is enough to keep me happy, however, walk along a small path to the front of the hillside and you will arrive at a small clearing, fronted by a small gateway with Chinese writing either side. The front of the clearing overlooks Shatin valley and is the site which holds the aforementioned large cross (it's 12 metres high!). It's a fairly peaceful place and is conducive to just sitting down and watching the world go by below you. There�s a small pavilion which was occupied by a young chap strumming his guitar when we were there (no, he wasn�t singing kumbaya) and bizarrely enough a small replica of Mong Fu Shek (Amah Rock). I have no idea what the latter was doing there but someone obviously took the time and effort to make it for some reason.

Gateway to the hilltop clearing and cross 

Replica Mong Fu Shek

Monday, March 16, 2015

Hongkong The American Club and Enter the Dragon History

A few of the more popular posts from my old blog covered the topic of the location used for filming the tournament scenes in Enter the Dragon. It seems that for a lot of people this topic never gets old, and people still contact me about it quite regularly - especially so since I took the old posts offline. In the interests of Lee fans around the world and to avoid several overlapping posts, I've merged them together into a single consolidated post below, which has also given me the chance to relook at some things and include some pictures I left out first time round.

So, just how much of the tournament grounds from Enter the Dragon still exist? The answer is, sadly, absolutely nothing since the whole area was redeveloped into two main sites: The American Club and Pacific View apartments. But thankfully some glimpses of the place's kung fu past can still be found if you look hard enough.

 Stanley Lodge, Tytam Villa and Palm Villa from above (Source: HK Govt)

The American Club is actually sitting on a several originally separate plots previously occupied by three very large and expansive mansions: Stanley Lodge, Tytam Villa, and Palm Villa. According to Eric Ho's book Tracing my Children's Lineage, the mansions had undergone various changes in ownership within the rather vast and varied offshoots/branches of the Ho Tung dynasty. By the 1980's it was the Lo's who owned Stanley Lodge and Palm Villa. Regardless, the land for all three buildings was sold to the American Club and their new country club premise was built and opened in 1984. I've marked out the approximate extent of each mansion and grounds on the picture below. As you can see, Palm Villa with its stepped courts occupied the largest plot of land.



If you read my film locations blog you should be aware that Tytam Villa popped up in the Chuck Norris film Forced Vegeance, and most savvy Lee fans should know that it was Palm Villa whose grounds were used for the filming of Enter the Dragon. I haven't found any films that used Stanley Lodge yet, but if you know of one please let me know :-)

Palm Villa's tennis courts became the outdoor location for the tournament scenes quite by luck. It seems that Lee and other members of the production crew were out scouting for possible places when they noticed the tennis courts. They stopped off and soon discovered the property was being looked after by M.W. Lo. It must have been serendipity that Lo was a distant relative of Bruce through marriage*. The property was actually owned by the elder brother, M.K, who had died in 1959, so I'm not sure what ownership the house was under at the time - perhaps under some sort of family trust?

Anyway,  M.W was the estate's custodian and was also a well-regarded local attorney with the family law firm Lo & Lo � set up by M.K in 1915. This firm, incidentally, was the one employed by Bruce to deal with his legal matters up to the time of his death, after which they were unceremoniously dumped in favour of Adrian Marshall. Hmmm

Well, when M.W. wasn�t practicing law he was practising his back swing and was quite the expert winning several local tennis tournaments and even competing with M.K. and their sister in doubles competitions. In fact, he is one of the enshrinees at the Hong Kong Tennis Association Hall of Fame. On the old blog post I had quite a few interesting comments from people who used to play tennis with M.W. and his family and have copied them below for posterity.
Jeff: This brings back some memories! I used to play tennis at these courts with M.W and his son Ken, and many other friends, every Sunday afternoon. I recall the courts being converted for the Bruce Lee movie, and we all had our photographs taken sitting on the large throne chair on one of the courts.
Kiska: M.W�s house was called Longview and was on the opposite side of the road to the American Club...I still have old cine film at M.W�s Sunday tennis parties. Only men were allowed to play tennis on his courts with the exception of Wimbledon lady winners, but we ordinary ladies were included in the social activities. I was invited to dinner and bridge at his house on several occasions...M.W was truly the grand old man of tennis and I remember him very fondly. He was also an intrepid bridge player and took me to the cleaners more than once!
Peter: I�m M.W Lo�s grandson, now living in New Zealand. I was fascinated to read that you have some movie footage of the tennis parties. My father and brothers used to play at those tennis matches...
Longview (#45 Tai Tam Road) is mentioned by Kiska above as being M.W's house, this is true and it was still there until a few years ago when it was sold and developed into several smaller (but still massive) properties. In fact, there is a brief glimpse of Longview in Enter the Dragon - blink and you'll miss it - see below. It pops into view just after Bruce breaks Bob's Wall neck. Crunch! When M.W died in 1986, it was sold on. More recently a company called National Electronics Holdings Limited got hold of the place and they are the ones who have just ripped it down. It's a big shame because it was a lovely looking house and reportedly had the very last grass tennis court in HK (for those who don't know, grass is a very rare thing in HK). It can also be seen on the aerial picture - it's the white property in the bottom right of that photograph.

M.W.Lo's other house, Longview, in the background.

Anyway, getting back to Palm Villa and the tennis courts. Fans would probably like to know which actual bits of it were used on film. So to help, I've put some legends on the picture of the estate.


As you can see the grounds had three grass tennis courts, marked upper, middle and lower. Most of the fighting action, and where Han's throne was sited, was in the middle court. Here's a reminder from the film itself to give you a bit of context.

The lower tennis court
The middle court (where the main action was)

Upper court at the back. The middle and upper courts
were separated by the fountain (on the right)

I just mentioned the fountain, and I also marked it on the aerial picture because this smaller enclosure also featured on film when Lee's character leaps up into a tree to avoid detection in a dodgy bit of reverse film editing. The fountain area has a circular pond in its centre and during filming this contained the tree he leapt from. Anyway, it looked like it also used to hold a fountain - hence the name I have given it to distinguish it from the private garden adjacent to the mansion. This is the small lawn that was immediately adjacent to the mansion. Sadly, I don't think any of this area was used for filming, although it's possible some of the night scenes, when Lee goes exploring, could have been filmed in there. Regardless, we'll come back to the garden later because it is the only remaining part of the estate that is now part of the American Club.

When the Palm Villa site was sold, it was actually broken up into three separate plots. The main plot, bought by the American Club, consisted of the Villa and its adjacent garden. This plot and the neighbouring plots with Tytam Villa and Stanley Lodge now contain the entirety of the club's grounds. The second plot consisted of the enclosure with the fountain and two of the three tennis courts. The upper court was seemingly split down the middle for the sake of redevelopment. This second plot was later sold on to Sun Hung Kai Properties - a developer that was just recently the centre of a bribery scandal and court case - and was redeveloped into the present day Pacific View apartment complex.

The third plot of land consisted of a sliver of land between the other two sites and included part of the upper tennis court. It's essentially the strip of land that separates the two redeveloped areas and it was retained by the Govt. The American Club actually leases this land back from the Govt on a rolling 3-month basis. The reason for this short lease is that the Govt has been planning to reroute the Tai Tam Road between Pacific View and The American Club in order to remove the nasty bend in the road. Personally, I think the idea is a bit dumb, but that's HK Govt planning for you. The fact that nothing has been done about it in all these years is perhaps an indication that it won't happen. I'm sure I will regret saying that some day.

It's down this small sliver of land that a public pathway has been constructed so that you can access the pebbly beach at the bottom. You remember the beach, don't you? It's where the characters in the film disembark their junk to a stone jetty and walk the path up to Han's fortress. It was also used in the beginning of the film when you see the frogman pulling the girl's body out of the water. This is about the only part of the area that has remained undeveloped (that is, until they slap that road right through the middle). On an aside, Pillbox 029 is also situated right here too, next to the stone jetty. So war buffs also have something to wander down to and have a look. Here are a few pictures of the area from 2011, starting with the gate on Tai Tam Road that leads you down to the beach.


The beach as seen from The American Club terrace

Pillbox #29 also has a brief cameo in the film

Pillbox, small cutting and stone jetty seen from the beach

This place looks familiar...
oh yes, that's right!


This latter shot shows you just how much Pacific View encroaches upon the old tennis court area. The pink base you can see sits on the site where the lower court was. I suspect that the site formation for this development involved excavating down to a flat base before the building work could start - unless anyone living at Pacific View is able to confirm that the building is on a stepped/sloped base?

So as you can see, it has all gone. Just the beach and jetty remain. But what about inside the club? Well, as mentioned earlier, none of the film seems to have been shot within the perimeter of the American Club. I did postulate (in the previous incarnation of this post) that the night time scenes may have utilised some of the estates other parts but I'm not so convinced anymore. Even if it did, I have no real reference for comparison because everything has gone. Anyway, on my trip to the club in 2011, I did take a few pictures, so I'll leave it to you to judge if anything can be recognised.

So here we are at the former garden area. Well, as mentioned this is the only part of the old estate that is still in-situ. It even still has the very distinctive coral-topped walls that were used in the construction of all the estates walls - apparently the coral was taken from the sea below and brought up during construction. Here is what is inside the garden - it has now been converted into a small sports ground for basketball and the like.

This is at the end closest to Tai Tam Road.

The wall constructed of stones and topped with coral.

Wall furthest from the road (closer to the coast)

Okay, so this wall is the original one and if you look closely on my aerial picture below you will see the curve of it around the garden.


The garden itself has been resurfaced into an all weather pitch and the wall has had the green mesh fence put on top - no doubt to prevent over-zealous Lee fans (I know a few) from jumping the wall in the mistaken belief they are treading on hallowed ground. There are a couple of interesting things nearby. On the other side of the curved wall - essentially outside of the clubs grounds but still on their leased-back sliver - is a small round out house (i.e. toilet block). You can just make it out on the picture above below the red line, but here is a close-up taken whilst precariously perched on some tableware - hence the green mesh that crept into view.


Here is where the fans should get excited because this building can be seen in several shots as the cameras positioned in the middle tennis court looking back in the direction of the house. I have since learned that this building was in fact taken as a dressing room by Ahna Capri herself. Now, the rumours are that Bruce got a bit pee'd off by this news - after all he was the star of the film - and demanded a dressing room for himself. The compromise was that he shared this room with Ahna and...well, you know Bruce and his reputation with women. Let's just say...hmmm...nothing ;o)

If you are mad enough you can reach this out house from the beach and/or pathway down to the beach. It takes a bit of bushwhacking but it has been accomplished by several people I know. You can see the out house's nice clean white top on the screen grab below, poking just over the wall of the middle tennis court. Compare that to 40 years of neglect in the picture above.

The out-house - aka Ahna and Bruce's shared dressing room

Moving on and I took a couple of pictures from the top of the strange pavilion at the other end of the old garden. The steps in the picture below lead up the back of the structure onto the small roof terrace. I'm still not sure if this place was seen on camera, maybe just brief snippets, I don't know, but the view from the top gives a better impression of the extent of the old garden (lower picture). Note the new section of wall on the left.



Just to the left of the new section of wall (of camera, far left) is the single remaining curved arch doorway that will be familiar to anyone who has seen the film. The estate's grounds had them wherever a doorway was needed. Sadly I neglected to take a picture, mainly because it had been bricked up, but if you are down this way you can see the other side of from the pavement outside. What is curious is that on the club side of the doorway is the following brass plaque.


Now, when John Little was filming here for his In Pursuit of the Dragon documentary in August 2009, he told me there was no plaque, but when I visited in March 2011 it was on the wall. I wonder if it was John's recent interest that had spurred the club to put up this commemorative plate? Well, it doesn't matter because the fact is that the plaque isn't really that accurate given that all the 'most famous Kung Fu fights in movie history' were actually filmed on the other side of the wall on a site that has long since been redeveloped.

Hmm, funny that they didn't mention Men of the Dragon though...I wonder why :-)

* M.W. Lo's older brother, M.K. Lo, had married one of Sir Robert Ho Tung's daughters. Bruce's mother, Grace, was the daughter - natural or adopted, it's open for debate - of Sir Robert's half-brother, Ho Kom Tong. It gets very confusing because there are literally hundreds of members in this particular family tree.

Tuesday, January 13, 2015

Hongkong Fist of the Unicorn � another �lost� Bruce Lee location rediscovered History

Not long after finally nailing down the location for the fight scene between Sammo Hung and Bruce Lee at the beginning of Enter The Dragon, I turned my attention to the next Lee-related film location challenge. Strictly speaking the film in question, Fist of the Unicorn (a.k.a Unicorn Fist/Bruce Lee and I), wasn't a Lee film at all - he had simply come to the set as a favour to his friend (the star, Unicorn Chan) and helped choreograph a fight scene. The location involved was a seemingly non-descript rural place with a small river and, other than that, no clues were obvious. It was an interesting bit of investigation and worthwhile repeating for any curious Lee fans who didn't read it when I originally posted back in 2011.

I was curious about this place simply because I couldn't find any other information about it, and I was in full-on Lee location finding mode. This place seemed to have eluded other fans and so I figured it would be good to have a stab and see what I could find.



The back story is also worth outlining briefly because it's a good example of the sort of stuff Lee was dealing with towards the end of his life. 

Lee had returned to Hong Kong to try and secure a film deal on the back of the various film and TV shows he had been doing in the US. Unbeknownst to him at the time, the Green Hornet series had made him into a local hero and as a consequence he was in a good position to try his luck. One of his childhood film star friends, Little Unicorn (whom he had co-starred in an old Cantonese films called Blame it on Father), had pulled some strings for Lee and got him some face time with some of the local film makers including Sir Run Run Shaw. It was a great example of what is known in Cantonese as gwaan hai (??) but is perhaps more familiar by its pinyin form: Guanxi. Basically, the personal networks and favour-granting that are quite fundamental in Chinese culture and are probably largely to blame for the massive corruption culture over here...

Anyway, as a result of these arrangements Lee was indebted to Unicorn and, in the spirit of reciprocation, knew that one day he would be duty bound to offer help in return. As it turned out, Lee was offered a tempting deal by Raymond Chow at the newly formed Golden Harvest and the rest is history. Over the next 2 years, Bruce made three films for Raymond Chow (two of which also featured Unicorn in small roles) and shot to super stardom in HK.

The circumstances aren't clear, but sometime around the middle of 1972, Unicorn approached a production company wanting to make a film and used his friendship with Bruce to secure a deal. The deal was that he would get a starring role as long as he could rope in his buddy in some way or another, that way the film could exploit Bruce's involvement and hopefully make some money.

This alternative title aptly underscores its Bruceploitation! 

Bruce walked into the situation without much choice and with full knowledge that he was being exploited, but it appears he underestimated what the production would do with the footage. It's not known for certain what he was expecting, perhaps he just thought his name would be used in the credits as fight choreographer? But what actually happened that Lee was filmed for several minutes putting some of the actors through their paces in preparation for a fight scene. Whether or not he was aware of the filming isn't clear but the footage was used at both the beginning and end of the film and a double (filmed from the neck down wearing the same clothes!!) was used in an inserted scene at a temple.

When the film eventually saw the light of day in the first few months of 1973 and was marketed as a Bruce Lee film, well, you can imagine that Lee was a bit peeved and it is my understanding that he launched some sort of legal action against the film makers. I don't think it was resolved before his death (he was also in the middle of suing one of HK's tabloid papers for other reasons when he died), and so we are left with a fairly bog-standard kung fu flick with all the usual stuff going on, but with some footage of Bruce Lee messing around with the actors (if you are curious, you can still view the film trailer here)

Anyway, let�s get back to that location. The available footage was filmed somewhere near to what looks like a river, and if you watch the film you will know that this river also has a very distinctive bridge going over it. So here are a couple of screen grabs to set the scene. 


That�s Bruce centre-screen. Note a few things: the river in the background (in the video you can see it is flowing towards us) and the bend it makes at the back. These were my first clues to the location. Let�s see another picture.


This one gives us a few more clues. First is that someone has disappeared into the background and dropped down onto the river bank (you can see their head between the two guys on the right). Also notice the partially exposed river bank in the background � can you see the dark line that runs along the middle? It�s a tidal mark and you should make a note of it because we will come back to it later. 
The next shot is actually taken from the film and I�ll be honest, this was the clincher for me. It took a while to identify but anyway, here it is as it appears on film.


This bridge features a lot in the film. It is basically next to the place where the young boy � played by Meng Hoi � lives with his mum. So it�s no surprise that a lot of filming took place around here and, of course, was next to the spot where Bruce was filmed doing the fight rehearsals. Here is a more modern shot, albeit taken from the opposite side of the river bank. Many people familiar with Sai Kung countryside will probably be able to place this bridge immediately once they see the next picture.


Yes, that�s right, this is the famous stone bridge that crosses the tidal river in Pak Tam Chung � also known as the Fuk Hing Bridge. And, yes, that IS its actual name! In case you need further convincing here is a shot from a HK Govt website that shows the background ridge-line much better than my shot (when I took these photos it was fairly hazy). See it in its original context right here.

Courtesy of AFCD

You can see the same (okay, it's been stretched a bit by the aspect ratio of the film) bumpy ridge-line in the background that can be seen behind the actors in the screen grab below.

Meng Hoi and Unicorn Chan

So what about the place where the fight choreography was going on...where Bruce was being filmed? Well, it�s not far away from the bridge � just a few metres in fact. The actual spot now looks to be over grown and has the Pak Tam Chung nature trail running through it (complete with concreted pathway), but the general area looks quite similar. I can confirm that there is a flowing �river� as seen on the clip but it is a tidal flow from the sea which explains why in the clip the water is running towards us - it was most likely filmed in the morning during an incoming tide. It was doing exactly the same when I was there on my exploratory trip.

There is also a river bank of sorts. It's not seen in the footage but we know its there because someone walks down to it. It's largely rocky and algae covered, but the one thing I did notice (and, remember, I told you to take a note of it) is that the opposite bank of the river � with its dark tidal stripe running along the middle - looks the same as it did in 1972. No surprise really. Here is a shot from my trip.


Compare it again (but remember the film grab is slightly stretched by its letterbox aspect).


Now, I couldn�t create the exact angle from the exact point because it's too overgrown. My camera should really be about 30 or 40 feet to the left of where I was standing so the background isn�t quite perfect - but this is as close as we can get after a break of 39 years. However, even from this closer angle the black line along the far bank is a perfect match. In case you can�t see it here it is indicated.


I reckon that the Pak Tam Chung nature trail pathway runs along the edge of the area they are on (where the guy�s head is) because even today there is a bit of a steep drop onto the river embankment.

Anyway, for those fans who are still keen to visit Lee-related film locations then you can easily get to this place by catching the #94 bus from Sai Kung bus terminus and get off at the Pak Tam Chung barrier gate (which marks the entrance to the Sai Kung Country Park). Walk along the road on the right hand side and after a couple of hundred metres you will see the bridge immediately on your right.

My parting shot is to give you a GoogleEarth shot of the same area (ringed in red) and you can see the Fuk Hing Bridge just to the north of it. Just put these coordinates into GoogleEarth to find it on there: 22�23�53.40?N 114�19�19.69?E