Showing posts with label Shatin. Show all posts
Showing posts with label Shatin. Show all posts

Wednesday, January 20, 2016

Hongkong Po Fook Shan Columbarium, Shatin History

For anyone who has visited Shatin, 10000 Buddha Monastery is probably one of the main reasons for taking their trip - although I hasten to add there is a whole bunch of other stuff to see too. And so it was with me too during my first trip to Hong Kong back in November 1995. This was in the days before all those rather tacky but amusing Arhan figures appeared on the path up. And what a path up it was - several hundred steep steps that left you feeling a little bit weak by the time you go to the top.

So imagine my delight when I read on a subsequent trip (probably in 1996) that the monastery now had a nice set of escalators to whisk you to the top of the hill without all that huffing and puffing. Taking the rather well-regarded travel literature at face value, on a subsequent trip I opted for the escalators and only by virtue of my previous trip, realised that I was totally in the wrong place! I had actually stumbled into a neighbouring complex called Po Fook Shan.

Po Fook Shan entrance gate

It seems that some not-so-thorough person had either neglected to visit the 10000 Buddha Monastery completely, or had simply gone into the first place they came across, ridden the escalators, found a temple hall at the top with (admittedly) a large number of Buddha statues and come to the wrong conclusion. Either way, the escalator's existence and its mistaken association with 10000 Buddha Monastery had made it into mainstream travel literature and the Po Fook Shan Ancestral Halls was experiencing an increase in tourist foot traffic.

Thankfully, things have sorted themselves out and no one seems to be getting too confused anymore, but to be honest, Po Fook Shan is a fairly interesting place to visit in its own right and well worth visiting to or from any trip to its more famous neighbour.

So what is it anyway? Po Fook Shan is actually a large columbarium complex run by the Po Fook Hill Funeral Company. The columbarium provides urn niches for the cremated ashes and they can go for a tidy sum due to the lack of available land and the Chinese culture of ancestral worship. As a result everyone now seems to offer them (legally or otherwise), but the Po Fook Hill people seem to have the whole funeral business in the bag offering cremation services (at a facility next to lower Shing Mun Reservoir in Tai Wai), local sales centres and niches at various sites around the territory. This large complex in Shatin seems to be their flagship site so it's well worth a look.

Lower terrace

Wandering in through the main entrance (above) presents you with a steep set of terraces, but before you tackle them the lower section is a fairly nice quiet place to wander around. There is some nice architecture to look at and a few shrines dedicated to various Taoist and Buddhist gods. One of the more impressive ones is the four-faced Brahma (see below). Actually, even if you have no intention of heading further up into the complex, this lower section provides some respite from the nearby bustling Homesquare mall.

Brahma

I do recommend heading up the terracing to the upper levels though because you also get nice views over Shatin. Whether or not you walk up or take the aforementioned escalators is up to you but walking gives you plenty of opportunity to rest and take in the gradually ascending view. There are various pavilions with seats and they are usually empty because most people opt for the easy way up.

Escalators on the left

The view is now obscured partially by the newish Govt offices that now stand in front of the complex, but when I made my inaugural trip in 1995, the bottom of the hill was largely a maze of squatter huts - this made the task of finding the path up to 10000 Buddha Monastery a little bit more difficult but, to be honest, I preferred it when there was less concrete.

One of the more quirky features of Po Fook Shan is the presence of a funicular lift system. It's really REALLY slow but worth using just for the sheer novelty. I believe the one in the picture below (this is nearer to the main entrance) was installed when the complex was constructed in 1989, but they have since added an additional one on the other side (bottom picture). It's a great way of negotiating the steep hillside and I wonder why the type of system hasn't been used elsewhere (well, other than the Peak Tram, of course).

Funicular Lift Systems at Po Fook Shan

The Po Fook emblem (below) marks the start of the main complex area which includes several tiers of niche halls as well as a temple (containing a lot of Buddha statuettes) and pagoda. I'm quite sure the wet floor warning isn't part of the official emblem.



For some reason, this particular area in Shatin is replete with all manner of religious/spiritual institutions. The village you can see below has several private Buddhist monasteries, the hill behind it has the Christian Tao Fung Shan at the top and above Po Fook Shan is 10000 Buddha Monastery.

Looking down to the village

Looking up towards 10000 Buddha Monastery

I mentioned the pagoda at Po Fook Shan earlier and here it is. It's quite ornate but unlike the neighbouring pagoda up the hill at the 10000 Buddha Monastery, I don't think this one at Po Fook Shan is accessible. It appears to be for show only, but if someone knows better please feel free to let me know.


If you look at the lower picture (above) you can see several roof structures. These are all part of the various niche halls. I think I counted 60+ halls cascading down the hillside, each containing about 1000 niches. If you do the maths you can see why so many people want in on this business. 60,000 niches (and more being built) selling for at least HK$50,000 each (and I'm being conservative on that price because I have seen some advertised for much more). The potential income is massive, so it�s not surprising that many illegal columbariums began sprouting up all over the place.

Niche halls by the handful

For the record, no one batted an eyelid with me walking around the complex. Most people here were too busy sorting out their offerings and burning stuff to worry about some pesky foreigner nosing about. I was here on just a normal day so it wasn't that busy, but I can imagine it gets fairly packed on the two occasions a year when relatives are supposed to come and grave sweep (mainly Ching Ming, but also Chung Yeung festival). The niches are arranged in a huge grid like configuration across the wall of the hall. It's almost like a morbid recreation of the high rise living that typifies the average Hong Konger's mortal existence. Even in death you can't escape from being stuck in a poky room surrounded by others in a similar situation. Each niche usually has a picture of the deceased on the front plus date of birth/death and sometimes an explanation as to how they died. There are some sad stories to be told here. If you are/were wealthy, then it is possible to buy more than one niche and join them together. You can immediately tell who the richest in the graveyard are (so to speak) by the amount of space they take up in the wall.

Anyway, I'll leave you with a picture of one of the local sales outlets. This one is in fact in Tai Po but they are all over the place. You can walk in and book your funeral, cremation and niche all in one sitting. I guess this is one of the appeals of larger companies offering the full range of death services.

A sales outlet in Tai Po

Sunday, July 12, 2015

Hongkong Tao Fung Shan Christian Centre, Shatin History

I first found out about Tao Fung Shan from one of the monthly newsletters published by the RASHK (Royal Asiatic Society of Hong Kong) newsletters. Sadly, I can't remember the year or month but the article covered the various buildings in HK constructed in the style of what has become known as Chinese Renaissance. What this seems to mean is western structural architecture/construction techniques with a Chinese aesthetic such as ornate columns, archways or roof styles that are often found on local temples and the like. Hong Kong has some great examples in the form of King Yin Lei, the Aberdeen Seminary, the now demolished Ho Tung Gardens and several more. This style of architecture is quite rare now, certainly many buildings with these characteristics have gone a long time ago making the remaining ones that little bit more special.

In the case of many of these buildings the style was simply for show, but in the case of Tao Fung Shan it functioned as a way to attract local Chinese to the property, under the mistaken impression they were entering a temple or monastery, and then try to convert them to Christianity. It all sounds a bit nefarious but I suppose the Chinese style of building just made the place less intimidating to those who were curious about Christianity.


The Tao Fung Shan Christian Centre sits on top of a hill (Tao Fung Shan is actually the name of the hill) next to Shatin MTRC station. Despite its seemingly close proximity, the way up is a little more hard work involving either a cab which will have to drive via Tai Wai, or a fairly long (20 minutes) uphill walk through Pai Tau village. You can actually see the Centre's large hilltop white cross from several vantage places in Shatin because it pretty much overlooks the train station.

The cross can be seen from several parts of Shatin

Unlike other Chinese Renaissance structures, Tao Fung Shan isn�t just a single building but is rather a complex encompassing living quarters, prayer rooms, study rooms and administrative offices. It even used to have a rather well-known hostel that had to close due to lack of funds. It was established back in 1930 by a Norwegian missionary called Karl Ludvig Reichelt. He'd already established Christian missionary work in the mainland before moving to HK and settling on Shatin as the location for his next project. The complex was designed by a Danish architect called Johannes Prip-Moller.


Being in the wild hills of the New Territories it's not surprising to learn (and I was told this by Dr Patrick Hase, a noted local historian who was once the Shatin District Officer - so he should know, right?) that Tao Fung Shan is the location of the very last reported wild tiger sighting in Hong Kong. Sometime during 1951, Reichelt was supposedly tending to somethings one day and happened to look out of his window and saw a large tiger prowling around his vegetable patch. He went to tell someone, but when he returned to the window the tiger had disappeared. I also had this semi-confirmed by someone on Facebook who used to live here in the 1950's...semi-confirmed in that she had a vague recollection (she was a child at the time) but couldn't recall the details. But anyway, I shall leave it out there for anyone who is interested in that sort of thing.


Actually, since visiting this place back in 2009 - quite sometime now, I guess - I have since discovered it has been used a couple of times by film crews. Notably it stood in for Beijing in Pierce Brosnan's Noble House mini-series, and in the slightly more recent Dragon: The Bruce Lee Story it was used as a film studio. The latter is quite apt considering we know that Bruce Lee himself used to come up to Tao Fung Shan to collect fighting spiders (as told to Chaplin Chang and Robert Clouse by Robert Chan).

A wall frieze inside the complex

Both sides of the main entrance


It is open to visitors between 9 -5 and even has a gift shop selling an assortment of stuff. I�m a big fan of this type of architecture and so just gawping at the buildings is enough to keep me happy, however, walk along a small path to the front of the hillside and you will arrive at a small clearing, fronted by a small gateway with Chinese writing either side. The front of the clearing overlooks Shatin valley and is the site which holds the aforementioned large cross (it's 12 metres high!). It's a fairly peaceful place and is conducive to just sitting down and watching the world go by below you. There�s a small pavilion which was occupied by a young chap strumming his guitar when we were there (no, he wasn�t singing kumbaya) and bizarrely enough a small replica of Mong Fu Shek (Amah Rock). I have no idea what the latter was doing there but someone obviously took the time and effort to make it for some reason.

Gateway to the hilltop clearing and cross 

Replica Mong Fu Shek

Thursday, March 19, 2015

Hongkong New Town Plaza podium and some 90's nostalgia, Shatin History

Anyone who visited Shatin's New Town Plaza during the 90's will probably remember that it was a vastly different place to today. Before it turned into the overpriced and rather vapid Mainland Chinese shopping Mecca it is today, it was a fairly 'normal' local mall with normal shops that weren't selling whitening creams, Ugly Betty-style fashion, rolex watches and 10 carat diamonds. The one thing that made it stand out in my memory was the rather naff musical fountain in the centre of the main plaza (see below). Every 15 mins or so (it could've been 30, I can't really remember) tinny classical music would start up, coloured lights would start flashing lights and twirling jets of water would shoot into the air.

New Town Plaza in the 80's (Source: ???? on Facebook)

Despite it's utter tackyness, I find myself missing the things for two reasons: first, it reminds me of my very first trip to HK all those moons ago in Novemeber of 1995; second, its removal signalled a sprucing up of the old mall that has led to its eventual transformation into a place where only people with lots of money to burn and huge annoying wheely bags can afford to buy anything - with all the lcoal shops being priced out on rent and having to close or move into some dark corner of the neighbouring Shatin Mall. 

Well, I've often wondered what became of that fountain. Was it scrapped or did it just become a musical addition to the Kwok brother's ornamental pond in their back garden? Actually, if I had bothered to check out Wikipedia my question would have been answered, but no, it's taken 6 years of ignorance and total accident to stumble upon it again in its new location in the podium garden. Okay, so it's looking a bit more modern in its new home (more glass, less tile) but all the little pipes, twirly bits and coloured lights are all there in their glory. Here are some shots of it in action.


Perhaps it's my age, but it doesn't seem so tacky seeing it now after all these years and I'm glad I have a nice little reminder of my first few trips. 

The podium is a little haven of tranquility compared to thye hustle and bustle of the mall underneath, so it's well worth popping up there anyway even if you don't have any particualr interest in watching the fountain do its thang. I took a few snaps up here as well.

Looking north over to L.C.S.D HQ

East across to the opposite side of the Shatin Valley

South(ish) looking towards the Royal Park Hotel (on the left)


This lower shot is looking to the eastern part of the mall and looks to have some sort of crazy golf course over there, can anyone confirm? I've never heard of that before, it may just be another leftover from the 80's and 90's that is no longer used.

Well, anyway, if you don't fancy facing the hordes at the mall (and believe me, at weekends the whole of Mainland China seems to descend upon the place) then this is a good place to go and chill out whilst the other half does the window shopping. You can take in the sights, breath some lovely hazy air and best of all, sit and be mesmerised by the musical fountain.

Monday, September 29, 2014

Hongkong Old KCR Warning Sign, Shatin History

The next post is short and sweet - in my case that's usually for the best - but it's one that illustrates just how different the KCR rail line used to be. It involves a (rather striking) old warning sign located on a pedestrian bridge that crosses the track near in Sheung Wo Che in Shatin.





The sign has an immediate visual impact, not just because it shows a skeleton and its death-related implications, but also because of the amount of detail in the picture. I don't think I have ever seen so much attention to detail in any of Hong Kong's public signage, ever.

Anyway, the topic of the sign gives us a good clue to its age - no earlier than 1983. This is the year that the KCR line was electrified. It was a massive project that saw the demise of some nice old station buildings and rolling stock (though great examples of both still on display at the Tai Po Railway Museum) but most importantly - and this is the reason for the sign - it meant the track could no longer be used as a convenient way of walking from one place to the other.

It sounds odd now but before the electrification the track was open on all sides and aside from the obvious need of crossing the track every now and again, it was often used by local villagers who wanted to walk to places further up and down the line. It makes perfect sense really, if you had a choice between walking along an unstable village path or trail, up and down lots of slopes and hills, or using the sturdy and level rail line which one would you choose? (heck, even Robert Culp and Bill Cosby managed to walk along the track in I Spy)

So anyway, what does the sign say? It�s actually warning about two things: the overhead power lines containing 25,000 fuk dak (i.e. volts) and the fact that the train travels at 120kmph. It's only written in Chinese because even until recently I suspect that foreigners were few and far between here. We're not out in the sticks quite yet, but in 1983 this area was a vastly different place and was more than likely had many more villagers who were not wise to the potential for disaster on an electrified high speed train line.

When I first published this post back in 2012, a helpful comment was posted by Marcus (see his great blog here: http://www.checkerboardhill.com/) along with a link to a video on Youtube.
The �no walking along the tracks� message towards the local residents was given a lot of airplay back in the early 1980s when the KCR was upgraded and electrified. Here is a public service announcement from 1983 which drove the point home: